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After watching "Giant", high-paid social animals shouted "I am free" and left.

2024-04-13 Update From: SLTechnology News&Howtos shulou NAV: SLTechnology News&Howtos > IT Information >


Shulou( Report--

This article comes from the official account of Wechat: ID:paperji, author: rain

Introduction: go somewhere else, not because you want to leave your hometown, but because there is a vague opportunity to "beat the workers" to go home.

Hi, everybody. I don't know if you have seen the end of the final season of "Giant of attack" recently. After ten years of ups and downs, this animation, which has changed the shape of the global ACG circle, has finally come to an end.

Two years ago, the end of Jianshan's cartoon version caused bipolar reviews. After Ma Li changed three and five, the animated version of Giant was generally praised, and even the major non-two-dimensional film review media also gave a large number of full marks.

In fact, the ending of the animation is basically consistent with the overall trend of the cartoon, and the extent of the change of the animation is very restrained, adding only some simple lines to some characters.

(the original lines of the animated version can be seen as Allen and Jianshan's attitude towards the later story of the Giant.) A news circulated online yesterday that Jianshan regretted the handling of the cartoon ending on the giant's 10th anniversary talk show. and this regret was "liberated" in the Allen Armin talk scene of the animation ending.

(online remorse) of course, only with the addition of one line, it is still difficult to explain why the ending of the cartoon that was scolded at the beginning was so well received on the animation side.

It is not so much how the horse party is adapted, but because the real world we live in has changed too much in the past two years, which has led to a different perception of the "giant".

(recently, the horse party is also making the most serious protest to squeeze people in the animation industry in decades.)

I don't know how everyone feels after watching it.

In short, the netizen who posted below, after watching "Giant", shouted "I am free" and left.

From the "fine score" status of this netizen's post, it is not difficult to see that this high-paid but high-pressure position has caused no small impact on him.

After all, everyone is fat, go home at nine o'clock in the evening, and have a morning meeting of "eight in the morning" the next day. Alan will probably have to "start singing" to find a way to escape.

However, fatigue and irritability are common problems faced by "beating workers", although there are different reasons for people to leave. Both "riding a donkey to find a horse" (looking for a job while looking for opportunities) has found a better job seamless connection of "people".

There are also netizens like this who offered to leave on impulse after watching Giant. "warm-blooded man".

However, from the point of view of the post, it should be a sudden "naked resignation", that is, did not make any plans, in the impulse to make the decision to leave. Although you are happy, you also have to bear the risk of an empty wallet.

If you want to know why the "giant" triggered the naked resignation impulse of the "beating worker", as soon as I left after watching the "giant", I need to talk about how profound the portrayal of the "beating worker" in the giant is.

Far-fetched as it may seem, I (the author of this article) recently left a bad company and did see a lot of things that resonate with us in Giants.

The denied Jianshan Chuang Jianshan made up his mind to become a cartoonist in high school, but his father found that he painted in private and sternly denied this dream. His father told him to find a stable job and encouraged Jianshan to explore places he didn't know.

In spite of this, Jianshan Chuang chose to major in comics without telling his family after graduating from high school.

However, the study and life of the comic major was not as smooth as he had imagined. Jianshan found that he was so lacking in basic painting skills that he even used a fountain pen clumsily.

In the assignment that the teacher organized everyone to contribute to the comic book club, the 19-year-old Jianshan created the assignment in a sense of inferiority. he used an ugly painting style to create an ugly giant who only knew about cannibalism and looked very ugly.

However, Jianshan's works have never received positive feedback.

This also includes JUMP, a teenager from Ji Yingshe, which is full of star works. And they really can't accept an author whose painting skills are not solid.

After that, Jianshan Chuang delivered his works to the talking Society. Shintaro, a new editor, was attracted by this expressive work after reading it.

The only thing the editor agrees with is that Jianshan has a "great idea."

In addition, his strange and ugly painting skills, characterization and stories are not satisfactory.

(the original manuscript does look a little abstract.) but with the help of the editor, after winning the award of "excellent work" at the MGP (Magazine Grand Prix), 19-year-old Kenyama was finally able to express his dream to his parents again: "I want to make a living as a cartoonist."

Since then, Jianshan Chuang began to accumulate word of mouth in the industry. He listened attentively to the feedback from readers and editors, and constantly revised and improved his works.

This persistent pursuit of the quality of works is also reflected in the Giant of attack. In order to design the plot and characters, he can sit in place for hours thinking about a detailed description. Of course, unlike the image of a high-minded and opinionated author, he is also a self-searching maniac, browsing fans' comments on the Internet.

(apologized in the face of the controversial ending of the comic book) in his constantly denied creative career, Jianshan finally won people's recognition with an ugly and scary giant. This is also the "working worker" life that Jianshan Chuang has made a living as a cartoonist for decades. He has not only created a bizarre film mixed with plasma B-level films and warm-blooded teenagers, but also looks like a "serious literature" in the form of animation, which contains some unclear discussions.

At the same time, it is also a work full of "challenges" and "choices", which seem to overlap with social animals in the workplace.

In a world of "utopia" (the opposite of a beautiful utopia), the characters created by "giants" seem to enable "workers" to sympathize with the choices of each role, as well as the contradictions and struggles behind each of their decisions. and reflects the various puzzles and challenges of social animals in real life.

Looking at Giant from this perspective of social animals, we also have different feelings about the situation of the main characters.

(Sanli, Almin, Allen)

(Leonard, Bertot, Arnie) Lehner: the children in the wall are constantly struggling on the edge of survival and morality in the world of "giants". If anyone's struggle is the most moving, it is Leonard.

Lehner's life is full of conflicts and contradictions, and his inner struggle makes him an extremely profound character.

In Giant, Lehner's image has gradually changed from a heroic warrior who initially rebelled against the giant to a character with a complex position and contradictory heart.

His story is like a mirror, reflecting all kinds of struggles and puzzles in the real world. He was forced to sway between different identities and roles, and his heart was full of unease and confusion.

Starting from the second episode of season 4 (corresponding to Chapter 94 of the comic book Boy in the Wall), we can see that Lehner's upbringing is full of setbacks and pain. From a young man who wanted to correct his name for himself and his family, he doubted his target behavior and motivation after experiencing the cold and warm feelings inside the wall, and gradually became a soldier overwhelmed by responsibility and pressure in the usurpation of responsibility and self.

Every choice he made was made in the midst of inner struggle and moral suffering. His story shows me that even the strongest people feel helpless and confused when faced with the great pressure of survival and morality.

('too tired to die') in the chapter on returning to Malay, Leonard's inner world is depicted in detail. I saw his pain, his struggle, and his deep remorse for his past behavior. If it is a person facing the same situation, it will also resonate strongly because of the role of Leonard.

In real life, in the face of stress and difficulties in the workplace, they often feel helpless and contradictory. When they see the ugliness and unbearability of the workplace, they either choose to swallow their anger or deceive themselves and others.

It may be absurd to map Lehner's inner world to "beating worker moment," but judging from the netizen who decided to give up a well-paid job, each of Lehner's decisions reflects the dilemmas and challenges that may be faced in the workplace office.

Although Lehner and everyone were "liberated" in the ending, he had previously thought that the solution to this relief was:

And in those moments when he was too tired to die, what kept him alive?

Ani: fight for yourself in the story of Arnie, her father forces her life to be full of strict training in order to make his daughter achieve an unclear goal and mission.

Her ruthless image profoundly reflects the complex process of growth and self-awareness. She is not only a powerful warrior, but also a person looking for self-worth in difficulties. In Ani, you can see that we have been endowed with expectations since childhood.

In the growth of Ani, her strength does not always come from the victory through the battle, but more from the inner awakening and the deep understanding of herself.

Keep fighting, but do not know why to fight, Ani is not only facing the external enemy, but also the inner self-exploration and understanding.

From sealing herself in the first season to thawing all the hardening of Allen's ancestral power in the fourth season, Ani has become strong and tough when she returns to everyone's eyes. but at the same time, her heart is also full of doubts about her behavior and uncertainty about the future.

She is not only a ruthless soldier, but also a person full of longing for love and warmth.

Until the final battle, she chose not only for herself, but also for those who fought side by side with her.

It also made her finally begin to understand her true feelings.

The opportunity that prompted Arnie to find her heart in her darkness and confusion may be when Almin confided her heart to her, or when she listened to Almin talk to herself every day during her "closed" time.

Sanli: break free from the shackles. I think Sanli's story shows the profound connotation of love, sacrifice and loyalty in the Giant.

As Ellen's best friend and partner in battle, Sanli has always been loyal to him, but this loyalty has also become the source of her inner struggle and pain.

Her emotional entanglement is no different from moral choice and real life.

The relationship between Sanli and Allen is complex and profound. She has been avoiding her true feelings for her, thinking that she can better protect her in the name of "family", but neglecting her real needs.

In a parallel time and space that Alan entered with Sanli, she and Ellen lived in seclusion in a sunny place, seeming to be loyal to their love.

But it was only when Alan asked her to forget him that she realized that she had been running away from reality.

In this process, Sanli gradually realized that true love does not mean unconditional follow.

At the end of the Giant, Sanli finally chose his own path, choosing his true feelings with Allen and his inner reconciliation.

She chose a quiet life after the end, which is not only a redemption for herself, but also a farewell to the battles and sacrifices she has experienced.

Margat: commander Malay's apology each character in Giant shows the complexity of life and the multifaceted nature of human nature in his own way. Their stories epitomize the challenges we often face in real life.

For example, in the two occupied naval port scenes at the end of the fourth season of the animation, Commander Malay's apology is a thought-provoking moment, and his words reflect the heavy burden of problems left over by history and guilt towards the younger generation.

Before preparing for action, Magath told John and other young people that he should not impose thousands of years of historical hatred on them, nor should he allow young people like Leonard and Yani to become sinners in the slaughter of innocent people.

This apology is not only a misunderstanding of the past, but also a prospect of hope for the future. Magath realized that only when people face up to and assume the responsibility of history can the repetition of tragedies be avoided.

History has happened, and a "sincere apology" and "repentance" of course cannot be forgiven.

Almin & Kony: killing your companions in pain right here in the harbor, Almin's strategy and the final outbreak of conflict reflect the complexity of human nature and the difficulty of facing choices. In order to save the world, Almin and his companions are faced with a cruel reality: kill all the partners who once fought side by side.

Such a decision puts them in a deep moral dilemma and reflects the difficult choices we (livestock) often face in reality.

In the story, the actions of Almin and her companions are full of tension and struggle.

They try to find a bloodless solution, but in the end they have to face the cruel reality that they sometimes have to make painful sacrifices for larger goals.

This situation profoundly reveals people's choices and conflicts in extreme environments. In real life, we (livestock) may have to choose between personal emotions and higher goals at some point.

The interaction between Almin and Kony in the action highlights this conflict. They are forced to confront their old friends and companions, which is a test not only of their loyalty and friendship, but also of their personal beliefs and values.

Anyone who has been in the workplace may understand that people often have to make difficult choices between loyalty and responsibility, emotion and reason.

This passage in the story also shows the tragedy of human nature.

Almin and Kony finally had to deal with their old friends, which not only brought physical harm, but also left a deep mark on their minds.

This has to make some decisions that go against your heart and bear the pain and consequences. It's exactly the same for people who have experienced an office environment.

Limping in the grand narrative of the Giant, we not only witnessed the spectacular battle and thrilling adventure, but also deeply realized the inner struggle of each character in the face of survival, morality and freedom. Although these stories took place in a fictional world, they deeply touched my heart and triggered a deep reflection on the same problems in real life.

In this work, the growth and choice of each character is a profound exploration of human nature. From Leonard's inner contradiction, Ani's self-search, to Sanli's understanding of loyalty and love, to Almin and Kony's decision-making under extreme conditions, all these tell us that there is no simple answer in the face of the complexity of life.

Everyone must find their own way in the constant challenges and understand their own values and goals. No matter how great difficulties and challenges we face, courage, hope and persistence are the driving force for us to move forward.

Each of us plays a role in our lives and is faced with choices and decisions. These choices are difficult, but it is these choices that shape our personality and destiny.

In the end, as the Giant reveals, the most important thing in life is to understand and accept yourself, face up to your fears and contradictions, and stick to your beliefs and choices. We may encounter many obstacles in the pursuit of freedom, but as long as we keep our faith, we will eventually find our own answer and future.

This may be the reason why the netizen shouted that he was free to leave.

My ten-year journey as a giant is over, and my life goes on. Back in real life, we stinking animals may not be as free as Allen said, but we are all "the same".

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